Contents December 29, 2025 Open access 2025. Volume 5. Issue 4 All issues Top Editor-in-Chief’s Column Post-Romanticism (the second half of the 19th century). The area of positivism A. I. Demchenko On the International Center of Complex Artistic Research: an interview with A. I. Demchenko, Doctor in Art History, Professor, and I. V. Kamenskaya, PhD in Sociology, Associate Professor A. I. Demchenko I. V. Kamenskaya Theory and History of Art The specificity of New York jazz: on the question of stylistic transformation E. S. Rusanova Josiah Wedgwood and the formation of the neoclassical canon in English art: the 1787 catalogue A. S. Dovgalenko “Phenomenon” as an object of study in art studies: towards the problem statement S. N. Nemtcova-Hambaryan Theatricality in Belarusian instrumental theatre and cinematic art of the second half of the 20th – early 21st century O. V. Romanyuk Musical Arts Spiritual verse in professional compositional creativity at the turn of the 19th-20th and 20th-21st centuries in the aspect of cultural and historical continuity A. V. Aksenova E. Krenek’s “Journey through the Austrian Alps”: the dramaturgy of the cycle N. S. Milovidova A. A. Antipina The role of social institutions in the functioning of the musical stratum of the Turkic peoples of the Volga-Caspian region: the ethnocultural context A. R. Usmanova The phenomenon of the Turetsky Choir in the paradigm of contemporary musical art: specifics of the artistic model G. O. Ferzba Dramatic Art Meyerhold’s production of “La Dame aux Camélias” through the eyes of his critics T. A. Soloveva The concept of “word-movement” in Vsevolod Meyerhold’s biomechanical system T. A. Soloveva Mélite and Chimène: the first actresses of Pierre Corneille’s theater I. A. Nekrasova Fine and Applied Arts Russian students of É. A. Bourdelle: style features S. V. Zolochevskaya Philosophy of Art and Culture Identity through death: from genealogy to building one’s essence A. I. Muss D. A. Muss The phenomenon of the human simulacrum in the culture of postmodernism N. S. Rovnov Aesthetics Representational potential of painting genres in the context of culture as ideal-formation N. Y. Dmitrieva Museology Prospects for the application of artificial intelligence technologies in virtual museums of the Republic of Sakha (Yakutia) I. S. Everstov
On the International Center of Complex Artistic Research: an interview with A. I. Demchenko, Doctor in Art History, Professor, and I. V. Kamenskaya, PhD in Sociology, Associate Professor A. I. Demchenko I. V. Kamenskaya
Josiah Wedgwood and the formation of the neoclassical canon in English art: the 1787 catalogue A. S. Dovgalenko
“Phenomenon” as an object of study in art studies: towards the problem statement S. N. Nemtcova-Hambaryan
Theatricality in Belarusian instrumental theatre and cinematic art of the second half of the 20th – early 21st century O. V. Romanyuk
Spiritual verse in professional compositional creativity at the turn of the 19th-20th and 20th-21st centuries in the aspect of cultural and historical continuity A. V. Aksenova
E. Krenek’s “Journey through the Austrian Alps”: the dramaturgy of the cycle N. S. Milovidova A. A. Antipina
The role of social institutions in the functioning of the musical stratum of the Turkic peoples of the Volga-Caspian region: the ethnocultural context A. R. Usmanova
The phenomenon of the Turetsky Choir in the paradigm of contemporary musical art: specifics of the artistic model G. O. Ferzba
Representational potential of painting genres in the context of culture as ideal-formation N. Y. Dmitrieva
Prospects for the application of artificial intelligence technologies in virtual museums of the Republic of Sakha (Yakutia) I. S. Everstov
