Contents March 31, 2026 Open access 2026. Volume 6. Issue 1 All issues Top Editor-in-Chief’s Column Modern art I (the early 20th century). The chaos of confrontations A. I. Demchenko Theory and History of Art Spatial poetics of art games: a topology of subjective experience in the works of Russian digital artists A. V. Nikitina Creative industries as a factor of cultural and political interaction between Russia and Iran A. E. Kurumchina Musical Arts The communicative artistic-semiotic function of timbre in musical perception A. V. Limitovskaya Genre-dramaturgical features of Tolibkhon Shahidi’s instrumental concertos (as exemplified by Piano Concerto No. 3 and the Concerto for Viola and Orchestra) O. N. Nurulloeva Representation of the genre palette of Russian contemporary music in the journal “Musical Academy”: analysis of publications from the turn of the 20th and 21st centuries A. I. Shinkarenko Jiangxi Caicha Xi (the tea-picking opera) as a representative of Chinese traditional theater Xinyue Zhang Dramatic Art Early directorial explorations of Theodoros Terzopoulos: from Brecht to his own method T. F. Akshentsev The drama of A. Ya. Tairov’s aesthetic principles: scenography of the Moscow Kamerny Theatre in 1943-1949 T. I. Timofeeva Fine and Applied Arts Images of elderly people in the works of the “Northern Cycle” by V. A. Igoshev (1950s-1990s) A. A. Galyamov Yakut ornament: cultural code and digital technologies A. R. Batorov S. V. Maksimova E. N. Romanova L. B. Stepanova Beyond the official canon: female images in the context of Soviet “private graphics” of the 1920s-1930s V. S. Kenstavichus Philosophy of Art and Culture The evolution of conceptions of the subject: from cogito to the ethical “Self” V. Y. Kurkin M. Gorky’s novel “The Life of Klim Samgin” in the light of Buddhist philosophy A. V. Lesevitsky E. V. Lyakhin Bibliology The “Library of World Dramaturgy” series of the Iskusstvo Publishing House: from reproducing the canon to shaping it E. A. Kramer Personalia “The hidden beauty” of Dmitry Smirnov’s music: a creative portrait of the composer A. V. Makarova
Spatial poetics of art games: a topology of subjective experience in the works of Russian digital artists A. V. Nikitina
Creative industries as a factor of cultural and political interaction between Russia and Iran A. E. Kurumchina
Genre-dramaturgical features of Tolibkhon Shahidi’s instrumental concertos (as exemplified by Piano Concerto No. 3 and the Concerto for Viola and Orchestra) O. N. Nurulloeva
Representation of the genre palette of Russian contemporary music in the journal “Musical Academy”: analysis of publications from the turn of the 20th and 21st centuries A. I. Shinkarenko
Jiangxi Caicha Xi (the tea-picking opera) as a representative of Chinese traditional theater Xinyue Zhang
Early directorial explorations of Theodoros Terzopoulos: from Brecht to his own method T. F. Akshentsev
The drama of A. Ya. Tairov’s aesthetic principles: scenography of the Moscow Kamerny Theatre in 1943-1949 T. I. Timofeeva
Images of elderly people in the works of the “Northern Cycle” by V. A. Igoshev (1950s-1990s) A. A. Galyamov
Yakut ornament: cultural code and digital technologies A. R. Batorov S. V. Maksimova E. N. Romanova L. B. Stepanova
Beyond the official canon: female images in the context of Soviet “private graphics” of the 1920s-1930s V. S. Kenstavichus
M. Gorky’s novel “The Life of Klim Samgin” in the light of Buddhist philosophy A. V. Lesevitsky E. V. Lyakhin
The “Library of World Dramaturgy” series of the Iskusstvo Publishing House: from reproducing the canon to shaping it E. A. Kramer
