Contents Open access 2026. Volume 6. Issue 3 Current issue. Check out the publication deadlines. All issues Top Editor-in-Chief’s Column Modern art III (the second half of the 20th century). The boom of initiatives. The first essay A. I. Demchenko Theory and History of Art Aesthetic principles of abstractness in Guohua painting as a basis for integrating abstractionism into Chinese culture A. B. Eliseev Haitian Tang Towards the institutionalization of illusionism: historical stages, specifics, and development vectors A. A. Senkeev Musical Arts Fantasy genre in musical art: origins, evolution, and interpretations R. N. Kachalov Typology and functions of beginnings and endings in traditional instrumental music (based on Adyghe folk tunes) A. H. Ligidov A. N. Sokolova Silver Age poetry in vocal cycles of Belarusian composers of the 20th – early 21st centuries V. I. Bartkevich Dramatic Art Anthropological aspects of the development of Jiaozhou Yangge in the dance culture of China N. A. Frolova Jisu Na Fine and Applied Arts The evolution of M. V. Farmakovsky’s artistic language O. L. Glushkova Printmaking in the book illustration of Polish fairy tales of the 19th and 20th centuries in the context of the emergence of children’s literature A. I. Perova The formation of the emotional-heroic image of Peter I in the mural decoration of the Summer Palace O. A. Tuminskaya Film and TV Arts The sun as a core visual concept in Terrence Malick’s film “The Tree of Life” N. I. Bykova Theory and History of Culture The influence of ballerina Olga Sapphire on Japanese ballet: dance intertwined with culture A. M. Orlov Cultural transformation of the museum visitor’s role in the context of digital anthropology M. S. Kochneva Architectural ekphrasis in N. M. Karamzin’s “Letters of a Russian Traveler”: the perception of Sanssouci T. P. Khristolyubova Play with the “classics” in late-Soviet visual culture of the 1980s (as exemplified by “paper architecture”) D. A. Khutskaya Philosophy of Art and Culture Practices of “sonic violence” in the Middle Ages and the early modern period V. E. Turikov Architecture and Design Eco-design of net-zero carbon creative spaces P. E. Antonov
Modern art III (the second half of the 20th century). The boom of initiatives. The first essay A. I. Demchenko
Aesthetic principles of abstractness in Guohua painting as a basis for integrating abstractionism into Chinese culture A. B. Eliseev Haitian Tang
Towards the institutionalization of illusionism: historical stages, specifics, and development vectors A. A. Senkeev
Typology and functions of beginnings and endings in traditional instrumental music (based on Adyghe folk tunes) A. H. Ligidov A. N. Sokolova
Silver Age poetry in vocal cycles of Belarusian composers of the 20th – early 21st centuries V. I. Bartkevich
Anthropological aspects of the development of Jiaozhou Yangge in the dance culture of China N. A. Frolova Jisu Na
Printmaking in the book illustration of Polish fairy tales of the 19th and 20th centuries in the context of the emergence of children’s literature A. I. Perova
The formation of the emotional-heroic image of Peter I in the mural decoration of the Summer Palace O. A. Tuminskaya
The influence of ballerina Olga Sapphire on Japanese ballet: dance intertwined with culture A. M. Orlov
Cultural transformation of the museum visitor’s role in the context of digital anthropology M. S. Kochneva
Architectural ekphrasis in N. M. Karamzin’s “Letters of a Russian Traveler”: the perception of Sanssouci T. P. Khristolyubova
Play with the “classics” in late-Soviet visual culture of the 1980s (as exemplified by “paper architecture”) D. A. Khutskaya
