Contents Open access 2026. Volume 6. Issue 4 Current issue. Check out the publication deadlines. All issues Top Editor-in-Chief’s Column Modern art III (the second half of the 20th century). The boom of initiatives. The second essay A. I. Demchenko Art of dancing N. R. Simachev’s contribution to the evolution of Soviet ballet performance and choreographic pedagogy A. I. Antropova Dramatic Art The genesis of the soubrette role in 17th-century European musical theatre: evolution and functions of secondary characters Huizhen Peng Fine and Applied Arts Reproducible experimental art in the formation of Soviet artistic industry: the Leningrad experience (1950s-1960s) O. S. Sapanzha Film and TV Arts “Poetic cinema” in Russian film studies: from a Formalist concept to the name of a movement D. A. Berezkin Theory and History of Culture The hero, the worldview, and the problem of fantasy genre boundaries (based on Leonid Kvinikhidze’s film “June 31st” (1978)) V. D. Evallyo Philosophy of Art and Culture The crisis of humanity in the context of a variety of cultural interpretations N. S. Rovnov Architecture and Design The application of generative neural networks in the inclusive design of web infographics for users with visual impairments D. D. Likhovtsov N. A. Korobtseva Art Education A stage-by-stage methodology for developing polyphonic hearing in Chinese piano students: the structure, content, and pedagogical tools Haoxiang Wang Personalia Maria Strenacikova Sr. and Maria Strenacikova Jr.: Slovak colleagues of the International Center of Complex Artistic Research at the L. V. Sobinov Saratov State Conservatory A. I. Demchenko
Modern art III (the second half of the 20th century). The boom of initiatives. The second essay A. I. Demchenko
N. R. Simachev’s contribution to the evolution of Soviet ballet performance and choreographic pedagogy A. I. Antropova
The genesis of the soubrette role in 17th-century European musical theatre: evolution and functions of secondary characters Huizhen Peng
Reproducible experimental art in the formation of Soviet artistic industry: the Leningrad experience (1950s-1960s) O. S. Sapanzha
“Poetic cinema” in Russian film studies: from a Formalist concept to the name of a movement D. A. Berezkin
The hero, the worldview, and the problem of fantasy genre boundaries (based on Leonid Kvinikhidze’s film “June 31st” (1978)) V. D. Evallyo
The application of generative neural networks in the inclusive design of web infographics for users with visual impairments D. D. Likhovtsov N. A. Korobtseva
A stage-by-stage methodology for developing polyphonic hearing in Chinese piano students: the structure, content, and pedagogical tools Haoxiang Wang
Maria Strenacikova Sr. and Maria Strenacikova Jr.: Slovak colleagues of the International Center of Complex Artistic Research at the L. V. Sobinov Saratov State Conservatory A. I. Demchenko
