Contents Open access 2024. Volume 4. Issue 4 Current issue. Check out the publication deadlines. All issues Top Editor-in-Chief’s Column Baroque (the mid-16th to mid-18th centuries): Collisions of contrasts. Essay 1 A. I. Demchenko Musical Arts Features of the piano repertoire and the specifics of its presentation in the video clip format (using the example of a video production by the recording company “Deutsche Grammophon”) T. P. Chvanova Fine and Applied Arts Furniture from the “Forest Series” by S. T. Konenkov as an example of synthesized artistic language E. A. Skorobogacheva Reflection of the religious-philosophical syncretism of the school “Xuanxue” in the categories of “kai-hаe” of the Chinese landscape Eang Vang I. I. Orlov T. O. Berdnik Theory and History of Culture Approaches to studying cultural texts in the works by V. V. Narcissov E. Y. Perova Conservation and Restoration of Historical and Cultural Sites Oil painting on paper: Issues of paper damage research, conservation and restoration N. K. Kirillova A. S. Kiseleva Library science Activities of trustees of the Kazan City Public Library in the second half of the 19th century and the early 20th century O. A. Kalegina G. M. Kormishina R. F. Islamov N. G. Yashina Art Education The principles, content and evolution of Sergei Eisenstein’s “Granite of Film Science” curriculum for film directors I. I. Penkovskaya Y. V. Slozhenikina The educational potential of theatrical activity in shaping the child’s personality O. N. Kislova G. A. Kazantseva I. V. Kovkina Personalia Commentary on Sergey Slonimsky’s essay “An Unwilling Scandalmonger: A Chronicle of Chronic Stress – 1943-1971” from the Book “Notes in the Margin of a Music Score” R. N. Slonimskaya Commentary on Sergey Slonimsky’s essay “An Unwilling Scandalmonger: A Chronicle of Chronic Stress – 1972-1991” from the book “Notes in the Margin of a Music Score” R. N. Slonimskaya
Features of the piano repertoire and the specifics of its presentation in the video clip format (using the example of a video production by the recording company “Deutsche Grammophon”) T. P. Chvanova
Furniture from the “Forest Series” by S. T. Konenkov as an example of synthesized artistic language E. A. Skorobogacheva
Reflection of the religious-philosophical syncretism of the school “Xuanxue” in the categories of “kai-hаe” of the Chinese landscape Eang Vang I. I. Orlov T. O. Berdnik
Oil painting on paper: Issues of paper damage research, conservation and restoration N. K. Kirillova A. S. Kiseleva
Activities of trustees of the Kazan City Public Library in the second half of the 19th century and the early 20th century O. A. Kalegina G. M. Kormishina R. F. Islamov N. G. Yashina
The principles, content and evolution of Sergei Eisenstein’s “Granite of Film Science” curriculum for film directors I. I. Penkovskaya Y. V. Slozhenikina
The educational potential of theatrical activity in shaping the child’s personality O. N. Kislova G. A. Kazantseva I. V. Kovkina
Commentary on Sergey Slonimsky’s essay “An Unwilling Scandalmonger: A Chronicle of Chronic Stress – 1943-1971” from the Book “Notes in the Margin of a Music Score” R. N. Slonimskaya
Commentary on Sergey Slonimsky’s essay “An Unwilling Scandalmonger: A Chronicle of Chronic Stress – 1972-1991” from the book “Notes in the Margin of a Music Score” R. N. Slonimskaya
