Contents September 27, 2024 Open access 2024. Volume 4. Issue 3 All issues Top Editor-in-Chief’s Column The edges of humanism of the Renaissance in the mid-13th – the mid-16th century: Part 2 A. I. Demchenko Theory and History of Art Art at the turn of the 20th and 21st centuries in the context of recurring epochs: New sensitivity in the artistic sphere as a challenge. Part 1 N. A. Khrenov Musical Arts Frankfurt “The Enchantress” by P. I. Tchaikovsky (2022) in the aspect of musical semiotics Mengqi Shao National singing voices of the Soviet Union in the 1920s V. S. Ladygin Genre transformations in A. V. Tchaikovsky’s musical-dramatic illustrations (2023) to M. Yu. Lermontov’s poem “The Tambov Treasurer’s Wife” O. N. Romashkova E. A. Sorokina Fine and Applied Arts The ethno-mythological motif as a resource in the modern visual art of Siberia D. E. Gerasimenko Theory and History of Culture Interpreting the imagery of René Magritte’s painting “The Son of Man” in a 2008 Volkswagen AG advertising product: A comparative approach to analyzing advertising as a cultural text V. B. Volkova Ethnographic tourist environment of the Udmurt Republic O. A. Golubeva Philosophy of Art and Culture L. Dobychin's prose through the prism of postmodern aesthetics T. M. Sycheva Interdisciplinary Art Studies Musical and critical activity on the pages of the newspaper "Krasnaya Bashkiria" in 1948 E. A. Khusnutdinova Architecture and Design Artistic and graphic features of visual communication of dairy market brands M. A. Ovchinnikova I. S. Samoylenko Art Education Learning Slovenian folk song in preschool music education Urban Prosen Polona Prosen Personalia About one of the main lines of creative search. On the 90th anniversary of the birth of Alfred Schnittke A. I. Demchenko Commentary on Sergey Slonimsky’s essay “Myths and Reality: On False Reputations” from the book “Notes in the Margin of a Music Score” R. N. Slonimskaya
The edges of humanism of the Renaissance in the mid-13th – the mid-16th century: Part 2 A. I. Demchenko
Art at the turn of the 20th and 21st centuries in the context of recurring epochs: New sensitivity in the artistic sphere as a challenge. Part 1 N. A. Khrenov
Frankfurt “The Enchantress” by P. I. Tchaikovsky (2022) in the aspect of musical semiotics Mengqi Shao
Genre transformations in A. V. Tchaikovsky’s musical-dramatic illustrations (2023) to M. Yu. Lermontov’s poem “The Tambov Treasurer’s Wife” O. N. Romashkova E. A. Sorokina
Interpreting the imagery of René Magritte’s painting “The Son of Man” in a 2008 Volkswagen AG advertising product: A comparative approach to analyzing advertising as a cultural text V. B. Volkova
Musical and critical activity on the pages of the newspaper "Krasnaya Bashkiria" in 1948 E. A. Khusnutdinova
Artistic and graphic features of visual communication of dairy market brands M. A. Ovchinnikova I. S. Samoylenko
About one of the main lines of creative search. On the 90th anniversary of the birth of Alfred Schnittke A. I. Demchenko
Commentary on Sergey Slonimsky’s essay “Myths and Reality: On False Reputations” from the book “Notes in the Margin of a Music Score” R. N. Slonimskaya
