2024. Volume 4. Issue 3

Editor-in-Chief’s Column

The edges of humanism of the Renaissance in the mid-13th – the mid-16th century: Part 2

• A. I. Demchenko

Theory and History of Art

Art at the turn of the 20th and 21st centuries in the context of recurring epochs: New sensitivity in the artistic sphere as a challenge. Part 1

• N. A. Khrenov

Musical Arts

Frankfurt “The Enchantress” by P. I. Tchaikovsky (2022) in the aspect of musical semiotics

• Mengqi Shao

National singing voices of the Soviet Union in the 1920s

• V. S. Ladygin

Genre transformations in A. V. Tchaikovsky’s musical-dramatic illustrations (2023) to M. Yu. Lermontov’s poem “The Tambov Treasurer’s Wife”

• O. N. Romashkova
• E. A. Sorokina

Fine and Applied Arts

The ethno-mythological motif as a resource in the modern visual art of Siberia

• D. E. Gerasimenko

Theory and History of Culture

Interpreting the imagery of René Magritte’s painting “The Son of Man” in a 2008 Volkswagen AG advertising product: A comparative approach to analyzing advertising as a cultural text

• V. B. Volkova

Ethnographic tourist environment of the Udmurt Republic

• O. A. Golubeva

Philosophy of Art and Culture

L. Dobychin's prose through the prism of postmodern aesthetics

• T. M. Sycheva

Interdisciplinary Art Studies

Musical and critical activity on the pages of the newspaper "Krasnaya Bashkiria" in 1948

• E. A. Khusnutdinova

Architecture and Design

Artistic and graphic features of visual communication of dairy market brands

• M. A. Ovchinnikova
• I. S. Samoylenko

Art Education

Learning Slovenian folk song in preschool music education

• Urban Prosen
• Polona Prosen

Personalia

About one of the main lines of creative search. On the 90th anniversary of the birth of Alfred Schnittke

• A. I. Demchenko

Commentary on Sergey Slonimsky’s essay “Myths and Reality: On False Reputations” from the book “Notes in the Margin of a Music Score”

• R. N. Slonimskaya